Tag: culture & religion

Read Performance

“Philipp Blomeke, Heidi ad hoc, Gerry & the Gagarin the 18.04.09 in Meerbusch (near Dusseldorf) deep literature, goosebumps exciting saxophone & guitar sounds as well as shaping a sculpture that is enough is never enough viewers on the 18.04.09 at the event the silent poets had their time” in the space OSSUM in Meerbusch. The old avant-garde Poete maudit Gerry X performed excerpts from his program”a season in hell X. His wrenching lyrics from the poetry night sweats songs paired with a moving and uninhibited stage show are the product of his existence as a Poete maudit, as a degenerate poet”. In their live performance pamphlets of reality your soul skin inverts Heidi ad Hoc outwards: despair, fear and vulnerability become days. But also Humoresque sounds schwallen through space, if the female audience with cold shower speaks from the soul.

Heidi ad Hoc reads from her latest volume of poetry”LilSchwarz. What the reader of the Poem factory”in me babylon.” startlingly mindful of Philipp Blomeke made, can be seen in the flesh in the same reading performance. The young poet is his lack of understanding about the ruling wrong”from the Status Quo. No screaming tantrums throw themselves to the listener, but words and phrases that make palpable the ruling in us, but disavowed Babylon, with selective tongue. The word artists are accompanied by the Gagarin – the tenor and soprano saxophonist Uli Linberg and guitarist Dominik Haring. The Gagarin’s put counterpoints in the language and explore the lyrical Cosmos both approvingly, but also verweigernd music from. Visually two highlights await the viewers. The milled from tree stumps and carved chain saws Wood artworks by Roland Giersch and Torsten Fugmann by the Ossum space stand in contrast to the black and white sculptures Duisburg Lisnoir.

Within the framework of the anniversary of Bodypaint event he presented his creations and matching painted models two places at the same time. Artists and models commute with their action art between the space Ossum in the dog er master in Duisburg and Meerbusch. Various art forms become a body that you can feel and touch this evening. Get all the facts for a more clear viewpoint with neil cole. “So anyone who is a fan of excessive poetry, music and provocative performance art, which was” enough is never enough “in the soul.

Antiques Collectors

All antiques collectors the carvings are loved at their antique furniture. The carving is a simple method for the decoration of wood, a natural continuation of the simple wood surface treatment with a sharp tool, requiring however great craftsmanship as well as the comprehension and the look of an artist. The main tools of carving chisel and tube were at any time. Although technological advances have can improve in the course of time the sharpness and durability of tools, it has changed but little in their basic form and application method. Carving techniques can be divided into three main categories: notch carving, relief carving and sculptural carving.

The pattern in the wood was cut a notch carving, and the simple punzierten or notched decorations were executed as of a Schnitzer rather from the Carpenter or the blacksmith (who made the tools). With relief carvings were cut away the reason (or background), which is the carving of the area took off. The reason was edited sometimes with punches, to establish a contrast to the smooth surfaces of the carved motifs. Also used as moulding ornamented motives”, where vertical ovals with pointed-petal, narrow ornaments is alternated. Sculptural carving was in reality sculptors. The carved decorations on furniture was of course followed by the eras or forms of contemporary architecture. Find out detailed opinions from leaders such as Pete Cashmore by clicking through. The pointed arches and the Gothic tracery gave way to the pillars and round arches of the Renaissance in the 16th century. In the Rococo style, Schnitzer also had their place: the Schnitzer interpreted or invented the sinuous, asymmetric forms that were characteristic of this style.

In the time of neoclassicism were carved of less demand but were carved decorative motifs, which had its origins in the Greek and Roman architecture. These were usually separately and applied on the piece of furniture. After this time, about 1850, many carved ornaments were no longer with the hand, but mechanically manufactured. Corinna Wan