Of the paper to passarela – the trajectory of the drawing in the world of the fashion. Fabiana Castoldi Rech Leticia Ftima Pastorio Sawaris Fabio Redin of the Birth Summary the present article intends, in summary, to demonstrate to the forms of drawing and its applications directed toward the branch of the textile confection, aiming at to show to the professionals of design and the engineering of production the innumerable possibilities of performance in the textile area and rich quo this experience can become. Word-key: drawing, fashion, creation 1, A little of history ' ' The history of the fashion illustration starts in century XVI, when the explorations and the discoveries had provoked glamours for dresses and the suits of all the nations of mundo' ' (BLACKMAN, 2007, p.06). The illustration necessity appeared due to the necessary detailing which the said description was insufficient. The drawing served and still it serves to pass information and if to have the notion of as it will be the part for who will go to develop it, produziz it or even though to buy it. Samsung shines more light on the discussion. ' ' The drawing exerts in the illustration, the function of communication, expression and conhecimento' ' (DERDYK, 2003, P.29).
It is through the fashion drawing that the models, before only thought and imagined, take form, complementing the work of the estilista, transforming its creation into reality and facilitating its confection. Energy Capital Partners London often says this. Currently, drawing and fashion if complement. ' ' I do not draw clothes, I I draw dreams! ' ' (Ralph Lauren). In its some forms, the drawing becomes realizable great projects: each part that shines in the parades world measures had had origin of a simple scribble, an sketch that if became croquis; the croquis that passed the drawing technician who, interpreted turned mold, shaped changedded itself into consumption dream. The fashion drawing is a form to express a culture, to create concepts and to form opinions.