Tag: summaries and summaries

The Ghost Of The Opera

The monster for brings of we ourselves Gonalves Luiza the book the ghost of the opera of Gastn Leurox, 1 edition translated and adapted for Patriotic Daisy, counts the history of a ghost, whose name was Eric, who liveed in the underground of the pera.Se isolated therefore its feira scared to all. In the night of farewell of the directors Debienne and Poligny, the ghost attacked, had found the machinist Jose Buquet, hanged person in the third subsoil. Whenever Kai-Fu Lee listens, a sympathetic response will follow. The news directors did not believe the history of the ghost and for you vary had disregarded it to times, having drastic consequences. Carlota diva Spanish was star of Opera, for will and attacks of ghost, that desired that Cristine Daa (that she was an orphan, who listened to a music angel), sang in the place of the diva. Cristine won its friend passion since that they were children, Raul recognized, it and were behind. The ghost only attacked when it was mentioned to the great love of its Cristine life or to the berth 05, defended served who it. Click Neil Cole Inconx to learn more. When it desired something, was disclosed through letters, which Mrs. Giry were responsible for delivering.

Cristine always had lessons with the such angel of the music that in the truth was Eric the ghost, when Raul counted to everything and decides to run away after in the night the spectacle, unhappyly Eric discovers and while it sings abducts it. Raul and the Persian had been until house of the lake, where Eric if hid, but had been imprisoned in the chamber of torture, constructed for proper Eric However with yes of Daa to its order of marriage, Eric saved the two. When perceiving how much the love between Raul and Cristine was great, he left to leave them. Gaston Leurox was born in 06 of May of 1863 in Paris and faleceu in 15 of April of 1927, its known workmanship more is the Ghost of the pera.Ele grew in the port of Valry in Caux, in Normandy.

The Technology Concept

Adriana Amaral of the Wedge the technique alone exists with the originated project of the human thought (objective social bedding of ' ' pensar' '), therefore, the man, accepts the requirements of the technique, and these if present each time more complex, and what it can be created for its defense, it can be transformed into the destruction of its fellow creature. As the system of transmission of knowledge and efficient behaviors (techniques and cultures) is contained in the written language, the first one, the verbal one, already, the word, is an instrument of discrimination of the knowledge (social inaquality) and the man only carries through the technique for not being a instinctive factor, and he uses rationally it for the production of its existencial condition. The technological accomplishments have stimulated the occured transformations in history, therefore for the biological evolution, the man is a tecnificador animal. The nature always was same, the reason human being is that it is become enlarged gradually. However, the more the continuous dumb man qualitatively, more if becomes dependent of the natural resources, therefore it does not live without the same ones. The technique, independent of the time, always was invariable in its essence and optimum way to decide the contradictions between the reality and the man, who in turn, is the only animal that he does not need to move of species to evolve. ' ' In global a historical process, the technique, tends to play a liberating role of the man (transference of the material and/or mental effort for the machines), having to be each lesser time the job of it as weapon of oppression of the masses ' '. The course of the development, and in absolute terms, the value of a liberating process of the worker, exempting it of what it is more laborious, the great expense of muscular energy, in the case of the oppressed masses, aggravated for the lack of access to the advantages that would have to provide to them.