Tag: design

Color Interior Kitchen

As we have mentioned, the design of a kitchen should be largely correspond to your way of life and nature. Consider the question of the creation of the color of a kitchen. For registration of any space especially important to choose a primary color because it affects the overall atmosphere of the room. The same color interior must be selected in accordance with the functional features of the kitchen. Isearch has much to offer in this field. Color combination and key selected the right way, will make the kitchen more comfortable. With the help of color creates a mood room, accent. Each of us has to give preference to any of the colors and can bear the idea for the color of furniture for kitchen, but many prefer to do without risk. Kitchen sold for many years or even decades, and certainly expensive thing, so people are afraid to make mistakes and miss the opportunity to create an atmosphere in the room at using the original color of interior.

White kitchen – corresponds to our concept of freshness and lightness. Property in the color white interior, visually enlarge the room. The impression of light and aesthetically clean kitchen space, attention is focused specifically on the size of the room. Shaded areas with windows facing the shadow side, receive the greatest coverage of the space due to predominant use of white in color interior. Get all the facts for a more clear viewpoint with isearch. Many refuse to use white in the interior design of the apartment from a stable association with the sterile coolness of the hospital. You can avoid this by combining white with warm tones, or use wood in the finishing.

Middle Ages

In addition to developments skill or, more accurately, together with him, a sure path to excellence led through fasting, prayer, silence: from Josephus, who scribbled 'Antiquities of the Jews', to Andrei Rublev, when he painted Vladimir Assumption Cathedral. Conscious of itself works in general, and in architecture in particular, perhaps as a meaningful form of activity only in the triumph of the ground, purely secular over the divine. The exception is when creating an image of the divine, the creative person responsible action on the tragic cry of the unknown author of 'Book of Job': 'Oh, if I could compete with God, the Son of Man with my brother her! " Realizing that the objective process of creating a new place at all times, we can focus search of creativity in architecture at the transition, which at one time and divides, and connects the Middle Ages and Renaissance. This, however, only partly the complexity of the discovery, by the vagueness of the question of the nature of the new. You know what difficulties lie in wait for the researchers of science and technology, trying to date the opening and invention, as almost always find that someone and somewhere to have been the first before. In art, and it is, but many more subtle incidents. For example, the treatises of Leonardo da Vinci only in the xix century. become the property of culture, but some of them content during the life of the master became known circle of trusted companions, gave rise to attempts to imitate, intensify the work of imagination, such as growing into a modern Leonardo professional universalism.

For architecture, we can easily detect the situation of repeated 'discovery'. So, Tange, Kurokawa and others 'metabolists' rise in 50 years, the concept of growing or 'open' forms in architecture. But even James Brunel enough British architect, in 1915 drafted a collapsible hospital, where an autonomous halls and chambers of operating were connected to the sections of the corridor, built up 'indefinitely'. This does not only a conceptual framework. Hospital unassembled was transported by sea and erected on the infamous Galipoliyskom beachhead the British expeditionary corps. This fact was published in Illustrated Weekly, but he did not become the property profession and was forgotten. Except for the horizontal strip glazing, four of the 'five principles' of Le Corbusier were perfectly known to him.

Free, transparent the first floor, resting on the columns – is a sign of many palaces in the Roman-gothic tradition, but also a number of projects Bull. Curtain wall, attached to the frame of the columns – is a series of buildings 60 and 80 of the xix century. in Chicago, Buffalo and other American cities. 'Free plan' interior in the frame construction – but enough to call Pedrera, Antoni Gaudi completed in 1910 in Barcelona. Finally, 'operated roof' flat terrace on the roof – it has possessed the ancient Babylonians, it was brilliantly played another in the xvii century. in the French chateau of Chambord – and again, Gaudi, starting with homes in Belesguarde, whose construction was begun in 1900, gave the old Admission of new, unprecedented shine.