Old Italian School Art

Of millions. And that, finally, what a perfect these components. Singing breath from time immemorial to attach importance to even the primary role. The thesis of 'the art of singing – the art of breathing' is known since the Old Italian School. However, in the scientific world on the issues vocal technique, since the second half of the twentieth century, is beginning to gain popularity of the so-called 'throat' paradigm.

That is a fundamental value in the triad 'breath, cavities and throat' is given to the last link. Apparently, this was associated with the development of technology that allowed a look inside the process of sound production. Thus, the broad scientific reputation acquired in the 50s-60s X-ray examinations, lb Dmitriev's work on the larynx and vocal chords while singing. In connection with the global 'naukizatsiey', this view to the vocal art of quickly captured the imagination beginners and not only singers and vocal teachers. Many people began to talk, what is it worth take care of the singing breath, when the science is so strongly suggests the paramount importance of the larynx and vocal cords in singing. Were heard instructions such as' Breathe in, how convenient 'and even' as you wish. " Adherence to this lines has led to many tragic outcomes, including the crippled voice when vocal career newly singers ended before it started. From the experience of the great singers perhaps worth mentioning the following ' based on vocal pedagogy are searching audio echo – that is, cavities '.